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alterblog

A miscellaneous collection of design related articles

Monday, July 11, 2005

HTML newsletter template for 26

What not to writeI have Mike Reed to thank for the opportunity to work on the newsletter template for 26.

It's always a pleasure working with well written copy. Nevertheless, for me, the highlight was probably the illustration for 'What not to write'. It was produced by the keystrokes 2 and 6 in the font 'Zapf Dingbats'. A very happy accident. Well, it made me smile.

I helped Mike set up his email newsletter quite some time ago. It was an early effort that came hot on the heels of three newsletters for myself: one for Indochine, one for Alter Ego and last but not least, one for FlySoup — real-time web traffic analysis that is currently being trialed for free on the 26 site.

Since working on my own newsletters I've put together templates for all sorts of businesses, including recruitment companies, market researchers, photographers, management consultants and film producers. This, however, is the first one I've produced which is designed to work in conjunction with a blog site.

Monday, April 18, 2005

New additions to Indochine site

We've recently added to the indochine web site. You can now buy a range of table lamps in addition to the lanterns and lacquerware that the site launched with.

Each lamp has a shade made from a twin layer of silk that creates a unique pattern when lit (reminiscent of watersilk) - consequently, no two lamps are the same. The range includes single colour and twin coloured shot silk including Oyster, Crimson, Papaya, Absinthe and Copper. The dark wood bases are hand finished in either a classic 'ricebowl' design or traditional 'lotus leaf' scrollwork.


Friday, April 01, 2005

I know the face - just can't put a name to it


I'm indebted to Piers Rutterford for pointing out this little gem. Identifont, A site that helps you identify a typeface from a series of questions that only require answers based on direct observation. Brilliant.

Thursday, March 24, 2005

Sidelines

Piers Rutterford and David Black - a couple of designer friends who have contributed brilliant work to Alter Ego over the years - have set up an interesting sideline, Terrace Tees.



Terrace Tees produces exclusively designed, high quality, made-to-order football t-shirts featuring football legends. They look great and you'll feel great wearing them - 50p from every purchase goes towards your club's favourite charity. Arsenal, Chelsea, Liverpool, West Brom, Derby County, Leeds United, and Blackpool are amongst the teams currently favoured and new additions are becoming available as demand grows. If your team hasn't made the league, send an email to legend@terracetees.co.uk and make your case.

Friday, March 18, 2005

Dark art, true colours

In the Guardian's media pages 14/3/05 Deborah Bonello put forward the notion that Art and Design were more closely related in the 80s and cited a piece of work my company was responsible for as an example - the 'Tate by Tube' poster for London Underground.



The article stated that this piece of work was originally an advert for the gallery but was now considered a piece of art in it's own right.

Back in January Tim Ashton - Creative Director at Antidote (a clever bunch of creative people working across a broad range of media, without regard to traditional sector boundaries) opined in 'Creative Review' that the Tate by Tube poster was "an advertising idea brilliantly executed by a design company". One of the only examples he could think of in that regard.

I can't complain that nearly two decades later people still have nice things to say about the piece, but it does seem odd that it's relevance is being re-framed. It's almost as if being a good bit of design is somehow not a sufficient end in itself. For it to have any real merit it has to be appropriated by another area of creative endeavour.

Whatever the case, over the intervening period, I've noticed an increasing reluctance for clients to either consider or afford new art - either with a small 'a' or otherwise. London Underground has a long history of commissioning amazing public art and I consider myself fortunate that my company - The Fine White Line - came under their spotlight at the time.

There have been increasingly rare opportunities to create lasting pieces of graphic art since then.

Image libraries, it would seem, now rule the roost - off the shelf and just-in-time solutions seem to be the norm rather than the exception.

Could it be that with technology fuelled reductions in the overall cost of production, original commissioned art - which was an important but modest part of the overall cost of any job - has now become a conspicuous element in the production mix? And as a result has come under the increasing scrutiny of the 'beancounters'. Certainly, aside from big budget productions, the use of original illustration and photography seems to be in decline. More's the pity. It was always one of the most cost effective ways of creating a uniquely identifiable presence.

Monday, February 14, 2005

Thoroughbred

February saw the start of a new breed of agency - one without any creative resource of its own. Instead Breed creates a dream team for every brief it works on. It does this by drawing on a massive pool of supremely talented freelance writers, art directors, planners, designers - you name the discipline and they'll build a team that fits the bill. And for their own branding they picked Alter Ego - which was nice.

But it's not simply about access to creative resource.

They work in different ways with different clients - sometimes as part of an established roster for larger clients, or as an agency of record for clients with smaller budgets who are nevertheless looking to access first-class communications teams. Either way, they'll listen to you first and assess the particular demands of your brief, before using their experience and contacts to put together precisely the team you need.

The company is managed by seasoned professionals that already have eight years worth of track history working with advertisers in this different way.

The senior management team is made up by:

Adam Sunderland


Adam is the former deputy managing director of WMGO and a vice president management supervisor of O&M New York. He has 23 years’ experience in advertising in the UK and USA.

John Stuart

John joined the production department of Collett Dickenson & Pearce in the late 1960’s – right at the time the agency was revolutionising British advertising. He introduced an innovative creative management system by forming a dedicated traffic function to control time and costs. Unheard of back then, this function was later adopted by virtually every agency in London. John went on to establish the agency’s production services group, which soon provided over 50% of group profits.

In 1980, John co-founded Parkway, the first electronic image manipulation company in the UK – and voted AIM company of the year in 1983. Whilst retaining his CDP responsibilities, John also formed WLCS. Its focus was on providing start-up agencies with an outsourced production and time management resource. In its first two years of trading it provided services to eight of the ten agencies that opened their doors at the time.

John was later responsible for conceiving CDP’s Network Group of Companies, enabling the agency to offer holistic campaigns to its clients. In 1995, having been part of the strategic team responsible for the sale of the agency and the re-organisation of the management team, John left to set up White Door. As Chairman of White Door Consulting, he is actively involved in major consulting projects and has provided innovative solutions for a wide variety of clients in the UK, Europe and the USA.

Breed is his latest venture.

Martin Handyside

Martin started his career in the mid seventies in the post room of a small family run ad agency who specialised in 'postal bargain' ads in the back of the national press for incontinence pants and the like. It took three years to figure that there was a much bigger world out there, so joined the biggest agency of the time; JWT.

After several other agency moves in various Creative Services roles Martin helped set up a creative services outsourcing company called Woodlodge to help the raft of start up hot shop agencies in the mid eighties including BBH. Another one of these hot shop agencies was Hedger Mitchel Stark, the most highly awarded agency of the era, whom Martin finally joined as Creative Services Director.

Martin then became a founder member of the ridiculously named Still Price Court Twivy D'Souza which set up after Saatchis bought Hedger Mitchel. Still Price enjoyed fanatastic creative success, so much so that it was bought by Lintas. The company went through many different guises and Martin finally resigned his position as Operations Director of Ammiratti Puris Lintas to set up White Door in 1995 and in 2005 formed breed with Adam and John to progress a specific section of the White Door offer.

Sunday, February 13, 2005

New AOP photographers show their skills

Mike Chick, one of Alter Ego's clients, is currently showing at the AOP gallery as part of 'Portfolio' an exhibition of 13 new photographers specialising in advertising , fashion, architecture, still life, editorial, and lifestyle.

Apart from Mike's work, which has pride of place near the entrance to the gallery, there are interesting presentations from Pasquale Caprile, John Darley, Colin Gotts, Kai-Uwe Gundlach, Nicholas Guttridge, Tim Hetherington, Enamul Hoque, Olga Lavrenkova, Will Sanders, Morgan Silk, Alys Tomlinson and Julian Wolkenstein. The exhibition runs until the 3rd March at 81 Leonard Street, London EC2A 4QS

All their portfolios can be viewed on-line at the AOP website. Well worth a look.